Tuesday, October 26, 2010

Strutting, Sorting, and Sisterhood

So, there has been a lapse. Not a lapse in desire, but certainly a lapse in time, in motivation, in words. A lapse here at my poor neglected blog. Now, I am not going to make any grand promises about getting back to the entry-a-week pace I had going when I first began this humble outpost last year, but I do have quite the backlog of things that I have been involved in/thinking about, and so I think it's time to give them a due and catch up on a few projects.
First off, I participated in an event called Versus a few weeks ago. This was a project lovingly produced by The Heroes, a local arts collective in Seattle who have put on an array of cross-genre productions (plays, readings, etc.) in the past year or so. Versus was an interdisciplinary fashion show with the theme of "conflict resolution." To that end, each designer worked within a theme of resolving opposites (carrier pigeon vs. text messaging, paper vs. plastic, etc.). I was lucky enough to strut the runway for two designers: Angel Gehm (Joan Jett vs. Jellyfish) and Paige Sandilands (Dreams vs. Reality). Anyway, it was a pleasure to be part of this hub of artistic excitement and endeavour for the day. I got my hair teased out to ridiculous proportions by a genius stylist, enjoyed my leonine eye makeup, and had a ball socializing with all of my supportive friends who came out to support the show. For those intrigued, here are some photos of the event. Props to The Heroes and the way they've brought the artistic community together in their events thus far.
As for sorting, I've begun a new series of short pieces inspired by the idea of objects, especially objects belonging to strangers or people who have passed away. I'm really happy with them so far. On that note, I've found out more family history facts for those interested (on my mom's side of the family). I tracked a family of Talleys (spelled as Tally) in the 1840 and 1850 census rolls in Pontotoc, Mississippi (a place name so rich in alliteration, it's nigh-Faulknerian). A "Guilford Tally" is listed as the head of the household in both census entries, with a young son named "Major G." The idea of a young boy named "Major" delights me to no end. He seems to me like some sort of young Twain protagonist -- getting into scrapes and outsmarting the adults of the town. The members of the household are listed as being born in South Carolina or Georgia, so I think they might represent the first generation of Tallys in the town. My supposition is that young Major G. could be the father of my great-grandfather, D.G. (Demus Gordon), who was born in 1889, although admittedly, that would make young Major pretty old at the time of his birth, especially for that time period. Unfortunately, I haven't been able to access later censuses online to verify this (although a "D.G. Talley" of Pontotoc, MS is listed as buying a hog in 1906 -- certainly my relative. The internet never ceases to amaze). I could be wrong on all of this, but nevertheless, I'm having a grand old time being a sleuth on this trail of of yellowed papers.
On the other side of the family (Underwoods), I did a little searching about my great-great-grandfather, W.H. Underwood. From some of the correspondence and photos I now have in my possession, I know that he was a Methodist preacher, and that he and his wife worked as the heads of a Methodist home for the elderly in Beatrice, Nebraska. These are their photos (last seen gracing my grandaddy's mantle in Dayton, Ohio.
I had a hunch that information on this preacher might be more possible to dig up online than information on the Talleys, who were farmers. Bingo! I discovered the following fairly quickly:

William H. Underwood was born in Hamilton, Illinois, June 30, 1860, and is a son of Rev. William and Eliza (Hewitt) Underwood, who were well known early settlers of Illinois. He received his early education in the public schools of Illinois, and in 1877 and 1878 attended the Wesleyan University at Bloomington, Illinois, for two years. During 1879 and 1880 he taught school in his native state, and then started railroading following the work for about one year. He returned to school at Bloomington and after at year spent in study began teaching and continued about two years.
He then took up three hundred acres of land in South Dakota and farmed there for three years, at the same time substituting for various pastors, and organized and helped to build up Sunday schools in that locality. In 1887 he took his first appointment at Castalia, South Dakota, having charge over eight preaching places in the county, and remained one year, then was transferred to Alpena, South Dakota.
Mr.
Underwood was married at Edgerton, South Dakota, on January 15, 1888, to Hannah Marie Johnson, of Yankton, South Dakota, and after two years spent in that vicinity, the young couple located in Lincoln, Nebraska, where Mr. Underwood entered the service of the H. and M. railway company and followed that work for two years. In the fall of 1891 he took up his ministerial duties at Springfield, Nebraska, making that his home for five years, then was transferred to Papillion, Nebraska, remaining one year, then located at Arlington and filled the pulpit there for one year.
In May, 1898, at the begining of the Spanish-American war, he was the prime mover in organizing Company E, of the Third Nebraska Volunteer Regiment of Infantry, and was commissioned first lieutenant, later being made chaplain of the regiment, and went to Cuba with the company. He was mustered out of service in May, 1899. The third Nebraska, which was commanded by William Jennings Bryan, was first encamped at Panama Park, Florida, from which place it was sent to Savannah, Georgia, and then put aboard the transport Michigan, December 31, 1898, and sent to Havana, Cuba, where they remained three and one half months, then returned to Savannah, afterwards being sent to Augusta, Georgia, and there mustered out May 11, 1899.
Since 1898, Mr.
Underwood has devoted his entire attention to his pastoral duties, having various Nebraska charges. In 1905 he was appointed pastor of the First Methodist Episcopal church in St. Paul, Nebraska, and has greatly increased the membership during that time. He is a man of wide acquaintance, and is loved and looked up to by all.
Mr.
Underwood's father was a pioneer in the ministry, and he, also has two brothers in the service, all being men of superior mental attainments, broad-minded and charitable, and all have done the utmost in their different localities to better existing conditions and aid their fellowmen.
Five children have been born to Mr. and Mrs.
Underwood, namely: Clinton B., who was a teacher in the St. Paul schools, and is now in the junior year at the Nebraska State University; Frances, who attended college at Wesleyan University, and is now a teacher in the Central City schools; Henrietta, Lawrence and Thelma, the three latter at home.
I know from the handwritten family tree I have tracing the Underwood line that W.H.'s wife, Hannah Marie Johnson, was an emigrant of Norway. A quick Google map search located the tiny hamlet of Yankton, South Dakota to a mere two hours' drive from Lakefield, Minnesota, and the home of that other family of Norwegians from which I take my heritage -- my Dad's family, the Rues. I love the idea of all of these Norwegian relatives on two sides of the family, living close by on the open prairies and farmland of the 19th century Midwest. I guess it also reveals to me how in the end, everything reconnects: genes by way of Ohio, Mississippi, Houston, Nebraska, and South Dakota. That's my latest installment (for now) on my ongoing family digging. I'd like to do more, but life and decision-making have been keeping me pretty busy of late. Nevertheless, I'm really excited by what this project has helped me to discover, evoke, and write, so new installments will definitely be forthcoming.
My last note regards the frenzy stirred up a couple of months ago by a debate regarding the acclaim levied on male vs. female writers, cleverly dubbed Franzenfreude by the Twittersphere as the debate began with the rapturous reception of Freedom, Jonathan Franzen's latest hefty book to hit the shelves. A cure for Franzenfreude? Allow me to suggest this book. You're welcome.
(photo: mysterious portraits from my Grandaddy's house, so far unidentified (at least, my mom doesn't know). Who are they?!)

Monday, September 20, 2010

Just Shelved

My rating: 4 of 5 stars

I resisted this book at first. I wondered what Caro Bell (the character with the most page time) had to offer besides being an incongruous challenge for men to fall in love with; falling in love with her seemed to say something about their characters, but did little to illuminate hers. I also bristled at some of the prose. As with many elliptical and lyrical prose writers, Hazzard's overreaching imagery coexisted--sometimes awkwardly-- with searingly beautiful turns of phrase.

I was miffed. I also kept reading. And opened the book on my lunch hour. On the bus. Late at night. Early on a Sunday morning.

I was surprised in the best way, the way I remember being surprised by Anna Karenina long ago, in that characters who had originally seemed outside of the central drama, writ large, were illuminated with the same inquisitive brush as the ostensible central figure of mystery. Love was walked into like sudden, perilous games of cards. All or nothing. The highest of stakes. In the end, I had the most sympathy for those that had originally seemed the least interesting. I saw myself in them. The perilous love endured, this time the way a bus lumbers past every hour or so, and everyone notes it and thinks, "Yup. Still running."

Meanwhile, the England of the setting is modernizing. Women are working in offices. Caro Bell never ages and wears delightful scarves at all times.

And, then--

--one of the best and most finely-executed plot twists I have ever encountered in a work of fiction. To say more would give something away. But wow. Characters are unmasked; all is not as it has seemed.

Four stars: earned with grit and gristle.

Monday, August 23, 2010

Just Shelved

The Little StrangerThe Little Stranger by Sarah Waters

My rating: 4 of 5 stars

Beautiful Georgian home in decay? Check. English country vistas? Check. An expose on a crumbling class system? Check. A believable, yet not entirely reliable narrator? Check. Well-drawn characters? Check. Descriptions worth savoring? Check. A can't-put-it-down-can't-wait-for-the-bus-ride-home suspenseful plot? Check. Tingles of the spine and other extremities? Triple check.

A true Gothic psychological thriller with a brain! Couldn't put it down.

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Just Shelved

TinkersTinkers by Paul Harding

My rating: 5 of 5 stars

I think I want to read Tinkers again. It's a slight book -- I finished it in a day and change. It's also completely beautiful, like some extended, hypnotic free verse poem that plays lovingly over and over the possibilities of language and description the way light plays over the surface of water.

Marilynne Robinson provides the blurb for the cover, and there are certain echoes of her lyrical masterpiece, Gilead, in Tinkers' quiet meditation on observation, natural beauty, and a father/son relationship. However, in structure and approach, I would compare the book more aptly to a novel like The Lover -- a self-contained and interior lyric work. Despite all the risk inherent in this kind of fiction, there are almost no missteps, save for a couple of overly big words that clank unnecessarily in their sentences, and one abstract lyric passage in the last few pages that interrupts the power of the closing scene. Other scenes, however--like that of a home being moved down a snowy track in the heart of winter--are the kind of images that stay with you, long after you've closed the book. In fact, in an odd way, I feel like Tinkers is the kind of book I've always wanted to read about snow and silence and trees and seasons. It creates its own readers.

On a final note, hats off to whomever designed Harding's cover. It drew me in from across the room, and after reading the first page, I knew I would have to buy the book. The story of Tinkers' voyage to print is heartening for any "emerging" writer. I look forward to Harding's work to come.

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Friday, July 2, 2010

New Story in Quick Fiction!

My story, "Reaching," has just been published in Issue 17 of this magazine that specializes in "precious little fictions in 500 words or less." This is the second time I have been published in the journal, and although this time you will not be able to read the full text of my story online, you can browse previews of all the stories in the issue and order your own copy but clicking here.

Happy reading!

(image credit: "Tightrope Walker" by Laura Niemi Young)

Wednesday, June 30, 2010

Just Shelved

The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science by Richard Holmes

My rating: 5 of 5 stars

The title of this book could just as easily read The Age of Wonder: How the General Reader Will Discover the Beauty and Terror of Science. I just flat out loved this book. Holmes is an engaging biographer above all, and the principal "characters" of this book leap to life as engagingly as any in a novel. Joseph Banks, William Herschel, Caroline Herschel, Humphry Davy -- I had no more than a passing knowledge of any of these figures before reading The Age of Wonder, but now I have a vivid sense of their lives, preoccupations, and above all, their uniquely brilliant minds.

I think, even more extraordinary than rekindling the reader's awe at scientific discovery (and awe certainly abounds -- Thrilling balloon voyages! Solo treks into the jungle! Crazed astronomers peering into deep space! Well-heeled literati huffing nitrous oxide!)is Holmes' ability to render the context for these discoveries and the ripples they made in artistic thought as well. It turns out that prominent Romantic thinkers and poets such as Coleridge and the Shelleys and Keats cared deeply about questions of the Universe and how it came to be and how science and art should treat the central subject of the human soul and a human God. Who knew?! Well, actually, I didn't really know this. Or, more accurately, hadn't considered it at length. I loved the chorus that The Age of Wonder creates: scientists, philosophers, and writers all approaching the same questions from their own angles, debating vigorously and oftentimes admiringly along the way.

Holmes shows us a band of scientists who are only just discovering their identities as "scientists" (indeed, the term is actually coined in the events of the book), finding a way to exist and have relevance in civic life. Simultaneously, he reveals some of the most beloved poets and novelists of the period articulating the terror and hope of science in their own works. And, and....well, and lots more.

Before I give anything else away, you should probably go and read this book.

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Sunday, May 23, 2010

Obsessions

A few weeks ago, I saw "Exit Through the Gift Shop," a film by reclusive British street artist Banksy. I'm about as unhip as they come regarding street artist culture, but I have to say, the film is one of the most thought-provoking pieces about art and artists that I've come across in quite some time. It begins, ostensibly, as a peek into the forbidden and secretive world of prominent street artists through the (obsessed) eyes of a dogged film-maker, who shoots tape after tape of these intrepid folks as they teeter at the bases of billboards and rooftops, pasting up large faces and mysterious down-the-rabbithole images.

Then, the film takes an unexpected turn, and becomes about the obsessed film-maker. He (Thierry Guetty) moves from chronicler of the artistic process (albeit, a chronicler who can't cohesively express what his chronicling has meant) to co-opting the artistic process of those he has followed. Banksy, a true artist and provocateur, winsomely turns the camera around to witness his acolyte becoming appropriator, as Guetty the film-maker commodifies the very art he has adored.

Among the many things the film questions, I think one of them is sincerity and appreciation. In our market culture, does a measure of appreciation eventually lead to callow and empty repetition? Is there a wringer a "real" artist must travel through in order to prove his/her authenticity? "Exit Through the Gift Shop" light-heartedly suggests a yes to this question, and I appreciated the way the film-maker flipped the script and made me probe these ideas, and the others things that fall between getting one's art up/out there and reaping profit/influence/imitators. Also, it made me feel a modicum cooler. For like an hour.

***
Continuing on the theme of obsession, I am obsessed with Richard Holmes' The Age of Wonder at the moment. I expect I will have more to say on the book when I have finished it and my thoughts have cohered a bit more, but I cannot recommend it highly enough to anyone with an interest in the Romantic period, the history of scientific experimentation, or mad, obsessed people who succeed in changing the world. A.K.A. I cannot recommend it highly enough to everyone.