tag:blogger.com,1999:blog-4224369724502884424.post364374493788156590..comments2013-09-20T19:12:40.932-07:00Comments on A Blog of One's Own: ExtensionKirstenhttp://www.blogger.com/profile/06549107457538096059noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-4224369724502884424.post-48927343752797418342010-03-04T09:58:58.644-08:002010-03-04T09:58:58.644-08:00That's what I find inspiring, too, Will. Grea...That's what I find inspiring, too, Will. Great comment. The same could be said of formal meter in poetry, for instance. In the hands of a master, the formal constraints do not limit the impact of the art, but rather serve to highlight the "play" and inventiveness of the artist. You could of course say that all experience is re-expressed (and thus mediated) through the forms we have available to us -- however daring our breakage of them, we still begin with a form at the outset. (English education, rattling around in my brain somewhere...)Kirstenhttps://www.blogger.com/profile/06549107457538096059noreply@blogger.comtag:blogger.com,1999:blog-4224369724502884424.post-74455797903098558312010-03-03T14:15:25.846-08:002010-03-03T14:15:25.846-08:00Like you, I was deeply impressed by Vinson's s...Like you, I was deeply impressed by Vinson's strength in the Rose Adagio. <br /><br />Though unfamiliar myself with the symbols and meanings of movements in Traditional Ballet, I appreciate Kristy's comments above. I tend to prefer more metaphorically/abstractly driven choreography like that from Romeo and Juliet earlier in the season, but this may be simply because I am not familiar with the encyclopedia of movements in the Traditional style. That said, I love the comment "what must it be like to convey genuine emotion with a limited number of 'words.'" This is reminiscent to me of Piet Mondrian's "De Stijl" era painting work; expression with self-imposed constraints. It makes the art all the more amazing when the constraints themselves are incapable of limiting the mastery of the work, no matter the medium.Unknownhttps://www.blogger.com/profile/06526871289515053195noreply@blogger.comtag:blogger.com,1999:blog-4224369724502884424.post-38525216201514331332010-02-16T14:22:29.951-08:002010-02-16T14:22:29.951-08:00Thank you so much, Emily! I'm glad you enjoye...Thank you so much, Emily! I'm glad you enjoyed it. :-)Kirstenhttps://www.blogger.com/profile/06549107457538096059noreply@blogger.comtag:blogger.com,1999:blog-4224369724502884424.post-61946563771550105732010-02-16T14:16:52.908-08:002010-02-16T14:16:52.908-08:00Your review on Sleeping Beauty was so satisfying t...Your review on Sleeping Beauty was so satisfying to read. I'm jealous I didn't see it in person, but you made me feel as if I had seen the first act!Anonymoushttps://www.blogger.com/profile/03911776183563612742noreply@blogger.comtag:blogger.com,1999:blog-4224369724502884424.post-60527083468969773372010-02-15T18:07:32.558-08:002010-02-15T18:07:32.558-08:00Here is a great, insightful comment from my friend...Here is a great, insightful comment from my friend Kristy, a dancer herself:<br /><br />I like this bit you wrote Kirsten. Was the Sleeping Beauty the Balanchine choreography? Traditional ballet is an interesting <br />form for me and I do a lot of thinking about it. I always want to appreciate a form that seems to be dying. A sort of patriotic <br />glowing in me for the arts and what losing the old ones means. Sitting through Act 1 of any of the traditional ballets is a practice <br />in monkish discipline for me as they are usually as slow and ritualistic as possible with a <br />physical language of symbols that mean things that the audience doesn't get briefed on anymore. Plus, traditional ballet <br />uses the same vocabulary of movements without fail, and what must it be like to convey genuine emotion with a limited <br />number of "words". <br />Then there is the virtuosity of ballet, which increases every generation. <br />The leg gets higher and higher, we see more and more fouetes and pirouettes and the men jump higher and higher. <br />We get to be excited and revved up by the acrobatics (which are seemingly impossible). <br />It's almost the opposite of the ceremonial, silent and implied dance that ballet was. I always want to be moved and in the <br />melodrama and atheltiscim there seems to be a window into that moment...somewhere with ballet. <br />I'll tell you what though. Matthew Bourne's Swan Lake (all men) pulls in enough contemporary culture and humor along with <br />a modern repetoire, that it is captivating. You can get clips on youtube. I would love to know if you have any other thoughts. <br />(my dance degree emerges from sleep now and then)Kirstenhttps://www.blogger.com/profile/06549107457538096059noreply@blogger.com